today my
fictional debut CD
is called:

Gah Gah Gah
Gah Gah



featuring the
hit single:

I Added an "H",
Spoon
(you can't sue me
remix)


blog de
Dan Trujillo
(a playwright)
serving
continental breakfast


about
contact
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coming events

plays
monologues

SHORT FILMS:

the rookie
the homunculus


The Rita &
Burton Goldberg
Dept of Dramatic
Plugging

presents:

a workshop of
EARLY POE
by Dan Trujillo

directed by
Charles Metten

Death, mystery,
disease, insanity,
blood, poetry:
Poe's turned
thirteen.


Aug 16, 17, 30
2007

part of the
New American
Playwrights Project
@ the Utah
Shakespearean
Festival
Cedar City, UT

for tickets:
click here



OREGON
LITERARY
REVIEW


featuring
THE DOG
by Dan Trujillo

an online
collection of
literature,
hypertext,
art, music,
and hypermedia


click here
to read









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all material copyright 2007 Dan Trujillo. All rights reserved.

 

 

 


Friday, June 04, 2004

 
Help Me
I woke up this morning, to Foreigner's "I Want To Know What Love Is" playing in my head.

It's been going on for three hours now.

Help me.



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Tuesday, June 01, 2004

 
Look At This Mess
I finished a rough draft of a new one-act, and I must say it's the biggest piece of boobyhatch garbage ever to twiddle in my word processor. And I've written some crap.

At least I've learned not to stage it at this point.

RESOLVED: I will write nothing but four-character comedies, from here on out.

The terrifying thing about having a complete rough draft is that playtime is really over. No more soft-shoes across the difficult passages for me. Now it's time to go back and figure out what the hell is going on. And oh yeah, get rid of all the stuff that I love, but that doesn't belong in the play.

And for a one-act, too. Is it worth it, for a one-act? I mean, with EST canceling the friggin marathon, what great venues are there for the one-act in NYC? Especially a non-linear non-realistic metamaphorical one-act?

REVISED RESOLVED: I will write nothing but full length four-character comedies, from here on out.

That is, after I fix the emotional core of the last full length, which is in pieces. I got to the end of the play, realized which relationship is the heart of the show, and...I patted myself on the back for figuring that out. Of course, now I have to go back and implement that. Did I mention this will be the fifth draft in five years?

RE-REVISED RESOLVED: I will write nothing but full length four-character romantic comedies, because any idiot knows that the heart of a romantic comedy is with the romantic couple, thus eliminating all confusion to empty-headed dramatists from here on out.

Of course, to write a comedy, you have to be funny. Grumble...



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